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Interchangeable images make interchangeable brands. We produce photography with a point of view — a look of your own instead of stock material with a different filter.
























Instead of one long list, we have sorted the 13 services — first the production process, then the subject areas, finally use and rights. Jump straight to whatever interests you.
Every production runs in three steps. From the concept through the shoot day to the finished image file.
3 services 02When people are in the picture, the atmosphere decides everything. Team, portrait and elaborately staged formats.
3 services 03Products, machinery, spaces and vehicles. Where light and perspective make the difference.
4 services 04Images for a specific purpose and the rights to them. Places, campaigns and settling how they may be used.
3 servicesEvery production runs in three steps — and the first one decides the other two.
It starts with the idea, not with the date. Together we work out the aim and the concept of the shoot — with moodboards and a clear decision on style, colours and image language.
That includes casting, location, props and putting the team together, so the production day runs smoothly.
This is the part people most often economise on — and the reason shoots get expensive: what is a discussion on the concept day is a cost item on the shoot day.
The production day. This is where we carry out the concept — light, direction, composition, attention to detail.
We work with experienced photographers and stylists and tune every shot to what it will be needed for later. An image that only works in landscape is no help in portrait.
After the shoot comes the fine work: colour correction, retouching and final preparation.
We deliver the shots so they work in every format — web, print, social media and large format. Crops and resolutions are settled in advance rather than improvised afterwards.
On retouching: We correct light, colour and distracting details. Where people are shown, we keep changes to body and face restrained — images that are obviously worked over count against the credibility of the brand.
When people are in the picture, trust decides the result.
Staff portraits, company presentations, PR material and team shots. Images that convey competence without looking posed.
We plan so that people who dislike being photographed still get a good picture. That is usually a question of time and atmosphere, not of equipment.
People at the centre — portraits, group shots or lifestyle scenes that show personality rather than a pose.
Note: Publishing pictures of people requires their consent. We bring the relevant release forms to the shoot, so that is settled before the shutter goes rather than afterwards.
Fashion, looks and details staged. Unusual perspectives, demanding settings, precise execution.
In beauty, skin, hair and make-up move into focus — lit to a high standard and carefully finished.
Products, machinery and architecture — where light and perspective do all the work.
With a focus on detail, light and composition we produce images for catalogue, online shop and campaign.
In still life we stage objects, accessories and food so that even small things have an effect. For shops we settle cut-outs, image dimensions and views per item in advance — that saves a lot of rework later.
Production processes, machinery and the people behind them. We show competence without it looking like a factory tour.
Even complex processes can be shown in a way people understand. Safety requirements and operating procedures are agreed with you beforehand — on a working site the shoot schedule follows production, not the other way round.
Spaces and buildings set in scene — with considered lighting, clean verticals and the right perspective.
Suited to property listings, interior brands and lifestyle campaigns. Here the time of day often matters more than the equipment: where the daylight falls decides the room.
Vehicles in motion, in an urban setting or in the landscape. Cars, sports cars or commercial vehicles.
The effort goes into the planning: location, permits, time of day and weather shape the result more than the camera does.
Images for a particular purpose — and the question of who owns them afterwards.
The setting at the centre: event venues, hotels, outdoor sets. We capture the atmosphere and character of a place.
Suited to marketing, tourism and documentation.
When images do not stand alone but carry a campaign. We develop the concept and deliver it across every format needed.
For advertising campaigns, social channels, print or large format — with an image language that holds across the whole campaign.
Who owns the images, for how long and for what? That should be settled before the shoot, not when the campaign is due to be extended.
We put this in writing, so nobody has to guess later whether a shot may be used on a new channel.
Most projects connect to at least one of these disciplines.
Whether it's a single mark or a complete identity — it starts with the question of what the brand should stand for.























